4to. Pp. 160. Foreword by David Mendoza. Critical essay by Sheila Farr, with an essay of the artist and his home by Linda Tesner. Bound in tan cloth over photo-illustrated paper-covered boards. Signed by Adams on the half-title page. Adams, a member of the Yakama Nation in Eastern Washington, won early acclaim at the Bellevue Arts and Crafts festival; his house, featured prominently in the luxe photos here, was built of modest means on a parcel of land on the northern edge of the Yakama reservation. Farr is a longtime ""Seattle Times"" and ""Seattle Weekly"" art critic. Mendoza was director of Seattle's Foster/White Gallery, where Leo Adams was represented. Bookseller inventory C09141X29W.